Friday, December 02, 2005

The Need for Integrated Thinking – Commentary and Thoughts on " The Creative Generalist"

It's not easy to get through a week without coming in contact with a specialist of some sort. If you're an entrepreneur or work for a large company you might need the help of a web designer or will likely call on an IT person to fix a computer or networking problem. At any given high school, you might see a place divided into departments which specialize in one of the areas of education. M.D's specialize as do some dentists and the pattern extends into the arts as some painters, musicians and writers explore and develop one area to make it theirs.

Expert tutors, history teachers who focus on 18th Century Russia, podiatrists and cosmetic dentistry specialists all provide a valuable service. But, is there an opposite? Is there an area dedicated to the the "space between" or a way to connect otherwise unconnected areas? Is it even important to have someone in between the areas to connect the dots? Is there anything of value in “there” and if so, what would we call this? Author Steve Hardy has a name for it, as well as a website, blog and article recently published on the Changethis.com website. It is called The Creative Generalist.

A creative generalist might be a blog writer, author, teacher, business consultant or, more importantly, someone who is not easily described or categorized. People in such positions should take note because this is now one of several articles and books on the importance of conceptual thinking and the need for people with this skill. One can abstract from Hardy’s writing that a creative generalist has the ability to see a larger picture, one that niche specialists may be missing. And it is in this broad area in between specialties where, according to Hardy, we get some of our best ideas. Such ideas, he says, “are the product of divergent thinking, lateral steps and questions dealing with completely unrelated notions. They “come from a kaleidoscopic grab bag of other ideas – whether ancient, recent, calculated or silly.”

Broad and specialized thinking are both important and should exist and inhabit the same organizations. What I think articles like this promote, though, is a meeting place between the two camps – a place where ideas, people and projects can take new shape and direction. In other words, thoughts, ideas, departments and specialties are great in and of themselves, but are greater and offer more potential if someone were there, maybe as a conduit to join things together. If this movement continues, it may not be unusual to see more conduit-like positions opening up in companies and organizations.

The need for interconnectedness stretches across many professions. Hardy mentions urban design, marketing campaigns, environmental policy and disaster response as areas where integrated thinking is needed. The 911 Commission Report and commentary on the U.S. Government’s response (at all levels) to Hurricane Katrina all seem to say something about a general lack of integration in our thinking.

At the micro level, one might consider the architecture of a school – how some teachers and departments feel alienated. A creative generalist might think to put the theater, music, media or library at the center of a building as these are important centers of creative energy – necessary to sustaining an optimistic mood for learning. People having to pass by books, magazines, multi-media displays or vibrant music will help carry the curious or creative energy outward, easily creating a theme or fabric for the school. By not paying attention to subtle matters as teacher placement or building design, an otherwise great, energetic teacher could end up on the outskirts of a structure where they struggle to be heard. If you’re interested in the importance of building design in thinking, read Sylvia Nassar’s account of the Rand Corporate building and its importance to creative thinking and problem solving – in the book A Beautiful Mind. I also recommend reading about “connectors” in Malcolm Gladwell’s book The Tipping Point.

As a test, let’s apply these concepts to something outside the typical business or organization – to the production of a musical. I recently played in the pit orchestra for Beauty and the Beast and had the opportunity to make some observations. Like a technician in a company, the musician executes their part according to the specific instruction of the composer and under the guidance of the conductor. He or she follows an unwritten code of conduct - communicating sometimes with the section leader but rarely (especially if one is not the section leader) interacting directly with the conductor, and almost never with the composer. The composer runs a dialogue in his or her head, but rarely communicates his or her ideas with the technician. I guess that would depend on the creative preference of the composer. Sometimes, self-absorption and inner-dialogue work best for the creative person, so you can’t really blame the composer.

Most would agree that the hierarchy of musical performance is important to delivering the intent of the composer …. but what if we were to open this up a bit? Author and consultant Peter Drucker observed the dangers of the assembly line worker more than 50 years ago, noting that it was important to keep control of the organization by following objectives, but to allow creative latitude by the employees (see the November 19th issue of the Economist). Reduce someone to the role of assembly line worker, without the opportunity to add their thoughts or creativity, and one has a recipe for fatigue and burn out.

In the case of the musical, to play the notes without interaction with the actors, composer, or writer is frustrating to a conceptual thinker. It would seem strange to set up meetings so that all these folks could communicate at some level, but think of all the possibilities! Players communicating with their section leaders, section leaders meeting with other section leaders, conductors meeting with producers and the occasional actor conversing with the orchestra might just lead to a great, energetic merger of all things creative and lead to a dynamic, finely tuned production! This is probably happening in many places but I have to wonder about of all these minds and talent operating in isolation and what comes to mind is the problem of autocratic rule. The trains run on time, but what do you really have?

A debate about this concept, according to Hardy, is now going on in the business community – between a general and specialized approach. The answer calls for conceptual thinkers who can see the value in both sides and ways they can integrate.

Here’s how that might work. Some individuals specialize in their departments to refine or explore something. They deliver their information to a “hub” where it is mixed and molded with what other specialists have discovered. Proximity, architecture and flow of information are all important here. The generalists work in the hub to mix, create new ideas and move the company or organization forward.

Writers and comedians have been successfully using this methodology for centuries, merging ideas to form larger concepts. Who hasn’t heard a joke starting out something like “a Priest, Rabbi and farmer walk into a bar.” The listener is already smiling because he or she can’t wait to see the result of this weird combination. Politics (avoiding polarization), system design, attitudes and architecture all play key parts in keeping ideas headed towards the hub. And, if allowed to take root, this movement could have major implications. By being aware of the phenomenon and respecting people with a “creative generalist” talent to see the method through, real change can happen.

Wednesday, October 19, 2005

More on depression and creativity

Here is my response to the posted comment below:

Thank you for your comments, and sorry for the delay in my reply. The "fun" part is that I get to sometimes experience the matters that I write about. Hence, the lag time. I liked and agree with what you said - that depression (as well as other "disorders") can be a continual source of creativity and deeper thought. Speaking of which, if you get a chance, I recommend an article I saw recently in Atlantic Monthly concerning a new examination of President Lincoln's battle with depression. Had he not suffered from depression, the outcome of the war may have been different. Thanks for the book idea. I hope you'll return to the blog in the future.

Best wishes,

Lee

p.s. How did you come upon the site?

On Sunday, October 16, 2005, at 09:56AM,

A.B.

Dear Mr Chazen,

I enjoyed your though-provoking post. I think that in our pharmacuetically obsessed society, there is denial of natural human sadness --- and that perhaps depression need not bea "disease" but may be indeed about growth. I am now reading "Where The Roots Reach for Water"(North Point Press) by Jeffery Smith and I highly recommend it. And keep up the good work!

--Posted by A.B. to Right Brain World at 10/16/2005 09:56:01 AM

Saturday, October 01, 2005

Put Something on the Marquee

When I was in the student council in high school, one of my jobs was to publicize school events by putting announcements on the marquee (is that the right spelling?) out in front of the school. On one occasion, with the help of a friend, we put "something on the marquee," on the marquee. I think a total of three people got the joke.

Speaking of things from the past, I just found a bunch of old files from my high school teaching filing cabinet. I used to keep records of the hilarious or ridiculous things students would write or say. Here's a few samples:

"After the bomb was dropped, Japan understood that we were very mad."

Yes, using atomic weapons is a very good way to demonstrate anger. People really know how you feel when you do that.

"Adolph Hitler killed himself by committing suicide."

Personally, I've always found committing suicide to be one of the best methods of killing yourself.

One student was able to morph Ike Eisenhower with Albert Einstein in a clever way by saying "Albert Eisenhower was one of the smartest presidents we ever had," ... or words very similar to this. Man, I miss teaching.

Tuesday, September 06, 2005

Wanted: Right Brain Thinkers for Top Government Positions



On Friday night I wrote a blog entry, posted it, then took a break. I turned on the news and was reminded of the devastation and suffering. Being strongly affected by this, I went back to my computer and removed the blog entry. It just didn't seem appropriate.

It’s now a few days later, and I’ve decided that work needs to continue. If that work can get people to start being more critical and imaginative in their thinking, then all the better.

The 911 Commission Report(see section 11.1) attributed the failures of 911, at least in part, to lack of imagination. That's right. At the heart of our problem in the protecting of our homeland, is a lack of creativity. Yet, ask, anyone in the field of education how high creativity ranks in terms of federal and state priorities, and you will get some confused looks. It's right there in the report if anyone want to take a closer look. And now, in the wake of the disaster that swept through the Gulf Coast, we see a clear lack of imaginative and creative problem solving. The idea that a levee could break and flood New Orleans seemed to our government to be out of the realm of possibilities.

Abstracting this further, one could say that the standardization of education, the use of multiple choice testing and a lack of a push for creative and critical thinking in the classroom, has lead this country down a dangerous path.

I applaud the creative artists, teachers and thinking people who come to this site to read and share ideas, and I wish more people like this would rise to levels of importance in the country. It's clearly time that we open up the doors of bureaucracies and large, traditional institutions to more non-linear thinkers. More differently intelligent people need to be allowed in to the decision-making centers of this country.

The collective brainpower of Americans IS imaginable, and probably greater than any computer network in the world. That in mind, shouldn't someone be asking us, even challenging us to not only work harder, but to think more creatively and contribute collectively. If the government’s leaders would call upon scientists, academics, artists and other thinkers to rise up with solutions, they might just have responded with answers to a deteriorating levee system. A strong national leader would compliment and honor the talent of its citizens by asking such questions.

The President, just like a teacher, can and should be a facilitator of such action. In a classroom project that I administered over a seven-year period, I witnessed the benefits of bottom-up or “emergent” behavior. As I veered away from top-down control of my classes, students rose up to create rules, form groups and prepare for different scenarios. Feeling as though I had witnessed an exciting phenomenon, I dedicated my thesis research to the study of chaos and complexity theories as they relate to education. Conclusion: people, when given the opportunity and challenged from the top, can rise up from below, use their minds and achieve unimaginable results. A feedback loop is created. The teacher facilitates and the students respond with new information and directions. The teacher makes adjustments and responds back with new plans or instructions. The classroom becomes a living organism and both teacher and student benefit. This same kind of relationship can be formed between Dr. and patient, and yes, President and citizens!

The blogosphere, itself, is such an emergent tool. The other night, I watched Denzel Washington in The Hurricane. One thing struck me… when he went to write, he felt as though he was connected to all the other imprisoned writers in the world, i.e. Nelson Mandela, Huey Newton, etc; that they were rising up together, transcending their cells to become one voice, sending a strong message. The blogosphere can send that message, and can affect change.

Below, is the original post from last Friday. Some of the ideas therein can be used to get students (adults too) to think more creatively and critically.

Friday, September 02, 2005

Podcasting and "Wiki" Cities



The idea of someone still reading from a textbook to their classes has never seemed more distant, especially with all the exciting options now before us. I'm wondering if any student has actually said how much they prefer answering the questions at the end of a chapter -- to working on a project (embedded with content) that involves some form of technology. I recently came upon Dr. Bob Houghton's (of Western Carolina University) site. There, you can find all kinds of information about the educational possibilities of podcasting and "wiki" sites.

During Global Challenge (tm), I discovered that if information is "embedded" in the larger context of something fun or interesting, it will likely be more deeply absorbed. This does not mean that we shouldn't try to make content interesting in and of itself. Educators should. The idea of surrounding content in a larger framework suggests that one cannot always download or spoon feed tons of information down a student's throat. There tends to be a natural gag reflex. Podcasting, blogging, websites and wiki sites would add an interesting dimension to this game. A couple of ideas come to mind: Students possessing the nation of Djibouti could deliver a weekly radio address on the state of their nation. For a final project, students could summarize what they learned on a blog, and on that blog could be an interview or debriefing with fellow teammates or between opossing teams.

For more information on this "emergent" style of learning, please visit The Space Between Classes, workshops and tutoring are available to interested parties.

Monday, August 15, 2005

Right Brain Thinking is the Key


Writer Dominic Basulto says: "Investors in the U.S. tech sector, take note: in a global knowledge-based economy, the company with the better talent wins." With hope, corporate CEO's will realize that better talent also means more "right brain" thinkers. In this article, Basulto refers to Daniel Pink's new book "A Whole New Mind."

Friday, August 12, 2005

The Connection Between Creativity and Mental Illness
















This is excerpted from a paper I wrote while attending graduate school in Chico, CA. I thought it might be helpful to the artist out there who wants to know more about the connection between depression (and other mental illnesses) and creativity. If the findings are correct, and the "mentally ill" have so much to offer, then what does this say about the treatment of this segment of society?

Consciousness, introspection, self-awareness, and abstract thinking have no basis in scientific measurement (Swerdlow, 1995). Science, however, seems to be heading in this direction. Humans have this need for explanation, and as such, we have discovered that the planum temporale in the left hemisphere, a part of the brain associated with auditory processing, is larger in musicians than in non-musicians, and is larger still in musicians with perfect pitch. Other research indicates that van Gogh may have suffered from temporal lobe epilepsy, which triggered electrical hyperactivity of the brain (Swerdlow, 1995).

There are more recent cases which point to physiology as it effects the creative process. By the 1950’s, Howard Hughes had established himself as a filmmaker, inventor, designer, engineer, industrialist and businessman. By the 1970’s, he was said to be one of the most eccentric people in America, living in isolation, giving out strict orders to his staff on how to maintain cleanliness, once test landing a plane some five thousand times when only twenty or so was necessary, and generally living out a life of extraordinarily bizarre behaviors. Yet, no one questioned this, intervened or even insisted that he get help!! Why? Perhaps, they thought this was common for a creative genius, man of his caliber, or normal for the rich and famous to act peculiar. What we know now is that Howard Hughes was suffering from obsessive compulsive disorder (Osborne, 1998). PET scans reveal that the brain of someone suffering from obsessive compulsive disorder is overactive, particularly the section known as the caudate nucleus. The entire frontal cortex of a person with this condition literally lights up when compared to a person without the condition. The mental activity that made Hughes a great genius, was also slowly killing him.

What I have learned in my study of this disorder is that what makes some people crazy, can also make them creative, or great if they choose. Winston Churchill and Martin Luther, both great leaders in their time, suffered the effects of mental illness. Churchill had terrible depression and Martin Luther, though it wasn’t called this at the time, had obsessive compulsive disorder. Martin Luther was said to be scrupulous, literally asking for forgiveness more than twenty times a day for acts committed that day (Jamision, 1995). There is an endless list of people that I have read or heard about that suffered from mental illness and were also creative. Is there a connection?

It would be hard to imagine that there is not. The brain is acting in such a way as to stimulate thought, insight, imagination, excitement and emotion. What we do not manifest into some creative outlet is likely to take its toll in another equally profound way. A few years ago, I had a conversation with a doctor concerning his son and his son’s outrageous, counter productive behavior in my classroom. When we discussed the possible reasons, his answer was that his son acted this way, not because he meant any harm or disrespect, but because “his brain required it.” Acting out, creating, being weird, whatever we wish to call it is really the brain’s way of achieving the balance it needs.

Edward O. Wilson, in Consilience, discusses this very notion on the section involving dreaming. He reports that in a dream state, the person is really insane. What he means is that these images, thoughts, impulses, if occurring during a cognizant, awake state would classify any of us as insane. What is going on during one of these states is interesting. The amines that the brain normally produces – such as norepinephrine and serotonin run low. Wilson suggests that the brain, in a dream state, is compensating for low levels of these chemicals by producing fantastic images. Take this a step further and one can see why artists and creative people tend to be so depressed. They too are compensating. They want so badly to get out of this state and the only option is a creation of their own doing, something so amazing that it literally alters their brain chemistry! It would naturally follow that the deeper one feels depression the more creative they are apt to be. The "normal" nine-to-five crowd, to some, is uninspiring and unimaginative. Well, they don’t need to be. Their brains do not require it.

Julia Cameron (1992), in the Artist’s way, confirms this, though in a less scientific way. She says, that our brightest ideas are often “proceeded by a gestation period that is inferior, murky, and completely necessary.” People seeking to reach that perfect state of creativity toy with these brain levels, trying to find the perfect amount of sadness or joy or whatever emotion will propel their project to great heights of pure creativity. When such levels are insufficient, they turn to exercise, thrill seeking, or worse, coffee, tobacco, alcohol and worse yet, drugs. It is really a never ending battle for the perfect state of being, and the perfect state of creative contribution.

Spalding Gray (1985) writes about this in his cult classic, Swimming to Cambodia. As an actor in the movie The Killing Fields, he swore not to leave Thailand until he had achieved what he called the “perfect moment.” To paraphrase, the perfect moment was to him, that moment when everything came together, producing an amazing experience (Gray, 1985). This was the experience that one would remember most, the experience that would define the journey, the one to tell family and friends about. For Michael Jordan, it was important to leave basketball at the peak of his game, probably in a moment not too different from what Gray was writing about. Jordan, was in effect, the writer of the play on his life. As director, why not make it dramatic, thrilling, emotional, or even perfect?

Does this have implications for education? Without a doubt it does. Here we are, teachers directing students, literally taking away their control, their ability to form personal meaning and imposing, almost forcing content down their throats. Yet, we somehow expect them to learn from this?! Eric Jensen’s (1998) research in Teaching with the Brain in Mind would probably caution against this, noting that “emotion helps reason to focus the mind and set priorities. Many researchers now believe that emotion and reason are not opposites. For example, our logical side says, ‘set a goal.’ But only our emotions get us passionate enough even to care enough to act on that goal.” (Daniel Goleman, 1995) argues that emotions are equally important to basic logic when making a decision. Perhaps the answer to this is to allow the students more control in decision making, in personal choice making, not just at home but at school.